People who love vintage often describe the appeal in terms that have nothing to do with age or rarity: it's the feeling that an object has a stor...
Read moreA personal reflection on why fibre and textile art has historically been dismissed as craft rather than art — and whether that's genuinely changing...
Read moreThe personal story behind Jacqui Fink's Cartography of Survival exhibition — a deeply honest account of the years of family trauma, grief, and quie...
Read moreA personal reflection on influence, originality, and the question every fibre artist eventually faces: when does learning from those who came befor...
Read moreThere's a vintage print in our shop right now — a 1960s reproduction, the kind that hung in lounge rooms across Australia for decades. It's only $4...
Read moreSome experiences resist resolution. In this artist's note, Jacqui Fink reflects on The Work of Holding — a series of knitted, knotted textile works...
Read moreThe works in Soft Palisade emerged from a period in which vulnerability and protection existed in constant tension. Jacqui Fink reflects on what it...
Read moreThe works in The Architecture of Repair emerged from a space where survival alone was no longer enough. Jacqui Fink reflects on the making of two h...
Read moreA single word — spoken quickly, without explanation — became the starting point for an entire body of work. The Enmeshed series is a four-work text...
Read moreSome experiences change the architecture of a life. The Tethered Heart is a two-work textile series born from years of loving a child through profo...
Read moreThe exhibition statement for Cartography of Survival — five interconnected bodies of textile work by Jacqui Fink exploring endurance, love, repair,...
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